Today, after forty years of momentums and depressions, departures and unwanted returns, Charlemagne Palestine would give us – thanks to a series of past records (videos, photos and unheard music) – his ultimate private confession: the quest for the “Golden Sound”.
London-based Paul Watson has been experimenting with noise and electronics for over 8 years, constantly changing, working primarily with tape loops, guitar distortion pedals and crude contact-microphoned metallic objects. With over 40 releases his noise can be described as a murky crackle of harsh noise and lo-fi drones.
An artist, composer and academically trained violinist. Her work encompasses sound installations, scores for dance, theatre and film. Since 2005 Lina has been making electronic/electroacoustic music, been part of the laptop quartet Twentytwentyone, and involved in the London improvised music scene – using her prepared or electronically manipulated violin.